Showing posts with label Martin Amis. Show all posts
Showing posts with label Martin Amis. Show all posts

Saturday, January 4, 2014

Martin Amis on His Writing Career, the British Literary Scene, and His Father Kingsley (2000)

Martin Louis Amis (25 August 1949) is a British novelist. His best-known novels are Money (1984) and London Fields (1989). He has received the James Tait Black Memorial Prize for his memoir Experience and has been listed for the Booker Prize twice to date (shortlisted in 1991 for Time's Arrow and longlisted in 2003 for Yellow Dog). Amis served as the Professor of Creative Writing at the Centre for New Writing at the University of Manchester until 2011. The Times named him in 2008 as one of the 50 greatest British writers since 1945.



Amis's work centers around the apparent excesses of late-capitalist Western society, whose perceived absurdity he often satirizes through grotesque caricature; he has been portrayed as a master of what the New York Times called "the new unpleasantness." Inspired by Saul Bellow, Vladimir Nabokov, and James Joyce, as well as by his father Kingsley Amis, Amis himself went on to heavily influence many successful British novelists of the late 20th and early 21st centuries, including Will Self and Zadie Smith.

Amis was born in Swansea, South Wales. His father, Sir Kingsley Amis, was the son of a mustard manufacturer's clerk from Clapham, London; his mother, Hilary "Hilly" Bardwell, was the daughter of a Ministry of Agriculture civil servant. He has an older brother, Philip, and his younger sister, Sally, died in 2000. His parents divorced when he was twelve.

He attended a number of schools in the 1950s and 1960s—including the Bishop Gore School (Swansea Grammar School), and Cambridgeshire High School for Boys—where he was described by one headmaster as "unusually unpromising." The acclaim that followed his father's first novel Lucky Jim sent the family to Princeton, New Jersey, where his father lectured.

In 1965, at age 15, he played John Thornton in the film version of Richard Hughes' A High Wind in Jamaica.

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